The same PICKPOCKET ending of this and THE CARD COUNTER was also done in AMERICAN GIGOLO, which is basically the same film as LIGHT SLEEPER but a tad more impressive in terms of sound and image imo.
I saw this one on the big screen when it came out, though I only had the barest notion who Paul Schrader was. I remembering liking it a lot at the time. It's well overdue for a rewatch, now that I'm much more familiar with Schrader's work.
The first Schrader I saw on the big screen was AFFLICTION, which I mostly sought out because it’s based on a Russell Banks novel and I had recently been impressed with Atom Egoyan’s adaptation of THE SWEET HEREAFTER. I caught up with this one a few years back when it was on the Criterion Channel. It still managed to make an impression.
I saw Affliction with a friend of mine who grew up in upstate New York, very much the setting of the movie. One detail that he pointed out that I still remember twenty plus years later is that when Nolte hits Coburn on the head with a wine bottle, the bottle does not shatter. He thought this was very realistic, in a movie full of brutal realism.
Also, how good was Dafoe in that film? Totally played against type and pulled it off beautifully.
The same PICKPOCKET ending of this and THE CARD COUNTER was also done in AMERICAN GIGOLO, which is basically the same film as LIGHT SLEEPER but a tad more impressive in terms of sound and image imo.
I saw this one on the big screen when it came out, though I only had the barest notion who Paul Schrader was. I remembering liking it a lot at the time. It's well overdue for a rewatch, now that I'm much more familiar with Schrader's work.
The first Schrader I saw on the big screen was AFFLICTION, which I mostly sought out because it’s based on a Russell Banks novel and I had recently been impressed with Atom Egoyan’s adaptation of THE SWEET HEREAFTER. I caught up with this one a few years back when it was on the Criterion Channel. It still managed to make an impression.
I saw Affliction with a friend of mine who grew up in upstate New York, very much the setting of the movie. One detail that he pointed out that I still remember twenty plus years later is that when Nolte hits Coburn on the head with a wine bottle, the bottle does not shatter. He thought this was very realistic, in a movie full of brutal realism.
Also, how good was Dafoe in that film? Totally played against type and pulled it off beautifully.
Woah I was just catching up on old Next Picture Shows and just listened to the Card Counter episode.
One of those movies that I'm going to have to cave and buy digitally one of these days. Keep waiting for a US Blu, but no luck...