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Would Soderbergh be a competitor? It's not like either makes style-less movies, but I don't know I could describe the trademarks of either, outside of similar projects. (The OCEANS and BEFORE films all feel of a piece, for instance.)

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Yeah, Soderbergh very good choice. And me also thought of Coens immediately after posting, although me think they have fixed number of modes they work in, moreso than other two.

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